#five full stars for me.
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jen-with-a-pen · 28 days ago
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saw the substance! actually unwell right now 😀
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queenlucythevaliant · 2 months ago
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I forgot you like star wars?! So uh. Requesting also #13 specifically about Fives?
I love Star Wars! That said, I'm not sure I'll be able to come up with any novel Fives trivia, so I'm going for dark humor here.
13: tell me an out-of-context piece of worldbuilding or lore!
Fives is the subject of more execution attempts than any other clone in the series (3).
Also apparently that design on his helmet is supposed to be an eel? It doesn't really look like one, but there ya go.
Story ask game!
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literallyjustanerd · 8 months ago
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It actually looks good??? Building of Ahsoka's lekku for a cosplay! It's gonna be a tight finish but I think I'll just get it all done in time for the convention.
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a-moth-to-the-light · 4 months ago
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Most-Listened of June 2024
[last month]
June was a ridiculously exciting month of releases--I'd been so looking forward to the new Sunmi single, plus albums from Charli XCX, Megan Thee Stallion, Kehlani, Raveena, and Red Velvet. And then I got surprised by comebacks from The Japanese House, Bol4, Nayeon, and Epik High! And apparently the Suho album is pretty good? And the cupcakKe one is, too? Naturally, though, I was overwhelmed by the excitement and didn't spend much time with those new releases, so this list consists of... none of the aforementioned comebacks. I'm still quite proud of my top 15, though, especially because I had a chance to catch up with some exciting releases from last month (which will be making an appearance here)!
I also got to see Lucy, an absolutely wonderful k-band I've been following since debut, in concert, and it left me with a post-concert high for like a week. (It made me super sensitive to sensory input for a week, too. Like, I couldn't listen to Repion for that whole week, because their harmonies were too powerful, they made my skin feel like it was exploding. I could also FEEL the collars of my t-shirts like ants on my neck oh my god I've never been like that before it was wild.) So what I'm saying was, it was a fantastic concert & left me with a lot of appreciation for how interesting music can be! (Which is probably why the list of five-star songs is so long this month...)
It doesn't make an appearance here, but if you're curious: my pride anthem this month was George Michael's "Freedom! '90". (This is my pride anthem every year, actually, but it just never gets old to me.) Honorable mention to Hayley Kiyoko + Kehlani's "What I Need", and I hope you had a great pride month!
1. 5D (Fifth Dimension) -- The Byrds
You know that U2 lyric that talks about "a song that made some sense out of the world"? Well, here's a song that made some sense out of my world. Like, is it super exciting? Not really. But it shifted something in my soul. It's a song about having enough, and it feels like having enough--that warm guitar, those high harmonies at the end... And the lyrics make me cry. It's a simple song, but it has the feeling of a warm shower on a snowy day stored somewhere inside it. "5D" is magical, and I don't regret a single one of the many times I replayed it this month. (Also, this completes another item on my music bucket list for 2024, which was to like a new Byrds song!)
2. S.O.S -- Taichu, Lali
Since "Top" and "Noche de Sateo" last year, I've been keeping an eye out for Taichu. They have so much charisma--if there's an 'it' factor to being a star, Taichu has it to the max. All this to say, I don't think I could stay away from "S.O.S" if I tried. I don't love it as much as "Noche de Sateo", but it's still fantastic--the beat is super aespacore, and Taichu's raspy "SOS / save your souls" is one of the most iconic lines of the year. (Spotify says they're saying save our souls, but I like my headcanon better, so...) I've been singing the chorus all month, too. I would 100% recommend checking this one out, if just for the spectacle of Taichu's first verse--they're such a skilled performer.
3. +82 -- Badvillain
I'm so happy to announce that I've finally connected with a fifth-gen group! Though I definitely enjoy "Super Shy" and "Melting Point" and a few other fifth-gen hits, I've been feeling a little like I'm missing out, since I just haven't gotten into any of the new groups everyone's been so excited about. But Badvillain? They're exactly my kind of group. They're a perfect amount of obnoxious, reminiscent of CLC, but with the sleek rapping of XG (another group I've been REALLY getting into lately) added on. I love the weirdness of this debut, the drama of it. (Purplekiss got my attention with "Ponzona", a similarly melodramatic dark-concept debut, and I stan them now, so...) I definitely don't think this debut will be for everyone, but I call it a victory for obnoxious girlpop. CLC may be gone, but Badvillain proves that their spirit is still with us!! "+82", a short b-side attached to Badvillain's debut single, was released with a performance video, and it's such a gem. And yes, it's super short--like, less than 2 minutes long--but it's so packed with explosive brass (think: Demi Lovato's "Confident" or "Tell Me You Love Me") and thundering bass that it feels much fuller than its runtime suggests. It's an instant shot of energy, like all the best girlpop is. Here's to hoping that I'll like their future comebacks, and maybe Badvillain will be the first fifth-gen group I stan!
4. Popper! -- Akrilla, Taichu
Yep, it's Taichu again! "S.O.S" was a little weird, a little industrial, but it definitely felt like a song; in contrast, I can't promise that "Popper!" is actually a song--it's more like ambient noise (ambient, if you live in a sci-fi dystopia) with a chorus that pops up occasionally. People say Itzy & Stray Kids make construction zone music, so I guess "Popper!" is kind of like POV: you're a brick in a building that is currently being destroyed with a wrecking ball. And to be clear, I love it--the layers of sound are absolutely captivating. I can appreciate that even though "Popper!" sounds like the sonic equivalent of throwing paint at the wall, it takes work to get production this pristine. I imagine that every detail had to be sooo carefully placed, all these strange, creative sounds carefully sculpted into a landscape with the appearance of chaos. The more I listen to this one, the more addicted I become--it's surprisingly listenable! (I think we can thank the ever-charismatic Taichu for that, but maybe that's just my bias talking.)
5. Cosmic Love -- Faux Paz
Here we have the sulking song of the month! I've loved this song for forever--it's actually one of the songs that got me into Faux Paz--but I was reminded of it when I heard the name of the new Red Velvet album. When I revisited "Cosmic Love", it kickstarted a craving that lasted well into July. This arrangement is Faux Paz at their strongest--the whole arrangement is dense and cushion-y, and the final chorus, in particular, makes use of the choir's wall of voices just so excellently. The soloist's voice is heart-wrenching, too. I have no idea where Faux Paz finds so many people who can belt the way their soloists do--or is it all one person? I have no idea, but they're fantastic. While we're talking about Faux Paz, I've also been obsessed with their cover of "Chandelier" this month!
6. New Me -- Flo Milli, Anycia
I wish I loved the new Flo Milli album more than I do--as someone who lives for her campy mean-girl aesthetic, I want to love all her music!! But as of now, I haven't really found much to latch onto from Fine Ho, Stay. (It's not bad at all, just nothing I've been obsessing over!) That being said, I have to give "New Me" some credit, because it has a lot going for it: a great beat, a great feature (WOMEN WITH DEEP VOICES APPRECIATION POST), and some great ad-libs (which are exactly as obnoxious as I expect from a Flo Milli song, of course). I can totally see someone else falling head-over-heels for this track, but I think I'll be going back to leaving "Not Friendly" and "Big Steppa" on repeat, instead. I'm definitely inspired to check out Anycia's new album, though--
7. Más Lejos -- Atalhos
The summer heat is really hitting now, so, as per my tradition, I'm bringing out the wistful indie rock. "Más Lejos" was one of my favorite releases last summer, and it's still just as infinitely listenable as it was last year. I was inspired to check out more stuff from Atalhos this month, too, and I'm really impressed! I'm SO hyped to listen to their album Em Busca Do Tempo Perdido, since I'm pretty sure it's a Proust reference?? That's so cool, I was not expecting Proust to show up on my Spotify.
8. you should see me in a crown -- Billie Eilish
My brother and I were talking about albums that we think would be on Best Albums of All Time lists fifty years from now, and I'm confident that a Billie Eilish album will be on there--whether it'll be When We All Fall Asleep or Happier Than Ever, I'm not sure, but definitely one of those! So anyway, that conversation inspired me to revisit When We All Fall Asleep, since I had only paid attention to its ballads before. And oh my GOD, "you should see me in a crown" is fantastic. I remember it being popular, but I don't think I ever gave it a proper listen back in 2019--I was missing out. That bass in the chorus, with those shuddering effects, feels like tectonic plates moving. This song has so much grandeur, and Billie Eilish's performance here makes me believe she's the earth itself, a natural disaster waiting to happen. This is even more impressive than I was expecting.
9. Virtual Angel -- ARTMS
This actually isn't my favorite song from the album, but I'm not surprised it's my most-listened. "Virtual Angel" has all the magic I expect from a Loona(ish) comeback--that fluttering instrumental, for one, doesn't feel like something a human could produce, so I'm quite convinced it's a gift from the angels.
10. Hide & Seek -- Pixy
After watching a video from Planet Minjae on YouTube, I was inspired to revisit some of my favorite fourth-gen discographies, and Pixy is one of those. These ladies have some fantastic b-sides, and the group as a whole is way too underrated. I love the Chosen Karma mini ("Falling" & "Whisper" oh my god oh my god oh my god), but I'd never fully appreciated "Hide & Seek" before this month. Pixy don't have the production budget to make this song as much of a masterpiece as it could be, but I can see the vision here--the tongue-in-cheek intro, the commitment to brass in the instrumental (chorus and verses?!!!?!?!!!), and that fantastic rap section. Everything about this song is ambitious, and it really should be a hit.
11. Ah Yeah -- EXID
I have a whole ramble in my journal about how this is the best girl crush song ever. (Yes, it's like technically the tail end of the sexy concept or whatever, but this is literally EXID doing Blackpink before Blackpink, so I'm calling it one of the mothers of girl crush. And it outdid them ALL. Just saying.) EXID has Mamamoo-level vocals + a 4minute attitude (I love you, LE); they're pure power, and "Ah Yeah" lets them give their all. And the way they control the song--those little moments of commanding the beat to a halt--is such a nice little touch that really elevates the girl power concept. This song isn't new to me, but I fell in love all over again this month!
12. The Killa -- TXT
When this album first came out, I listened to the first minute of "The Killa", was like oh look it's tinnitus again, and then I went and listened to "Tinnitus" instead. But I really underestimated this song! "The Killa" is hazy and distorted in a way that "Tinnitus" isn't--I find those weird, robot-y harmonies in the chorus so captivating. I love how the production here is so layered and creative, and I think this song will continue to age quite well.
13. Te Encontrei em SP -- Atalhos, Delfina Campos
Re: my Atalhos binge! This one isn't my favorite--it's so wispy and laid-back that it becomes kind of monotone--but that saxophone is wonderful. They really give the saxophone room to breathe in the instrumental, instead of relegating it to one short solo, and the fuzzed-out production is really interesting!
14. Armageddon -- Aespa
This chorus has been everywhere all month, and I'm more than happy to get caught up in the hype. Like, I can't stop craving the "imma get it dunnnnnnn" bit, and whenever I can finally get it out of my head, I hear a snippet of it on YouTube Shorts--and there, the craving is back. That crunchy production is exactly what I want in an Aespa song, too! I don't know if the Aespa ladies really do this song justice--their voices are gorgeous, don't get me wrong, I just think I would enjoy "Armageddon" more if their performances leaned more into its moodiness. So it's not my favorite Aespa song, but I'm happy to succumb to its popularity and spend a summer leaving it on repeat!
15. Boom -- Nmixx
Yeah fine I get it now. It's fantastic, whatever. Nmixx's album this year was super exciting and wonderful, whatever. (Look, Nmixx songs have a history of giving me headaches, headaches which I'm still a little bit bitter about. But I'll get over it eventually... the bitterness is hard to maintain, especially after "Passionfruit"...) "Boom" places a lot of pressure on its hooks--it's more like a highlight medley than a song--but that "tick tick tick tick boom boom" hook is surprisingly sturdy. The whole thing ends up feeling coherent in a way that is deeply confusing to me: how does it do that? What a masterpiece. Also, that glossy house section at the end is to die for!!
Five-Star Songs This Month
Butterfly Effect -- ARTMS
And here we have my favorite song from Dall. I've spent the month with the album, and this is the one that really sticks with me. That sonar-sounding vocal hook is just two notes, but it's ridiculously gorgeous.
Chokehold Cherry Python -- Ashnikko
Ashnikko has met her match with the aggressive guitar in this song. The combination of the two? It's like being struck by lightning. Also, their song "Deal With It" (with Kelis) probably isn't a five-star song, but it's SUCH a summer hit!! I've been listening to that one a bunch, too.
De Zombis -- Repion
Check out more of Repion's back catalog, they said. It'll be fun, they said. This song, the first track on Repion's first album, is such a way to debut. Like, it's painful how overwhelmingly beautiful it is. The vocals here are piercing--the front-and-center harmonies I love so much about Repion aren't something they grew into; apparently, this duo's vocals have been sending electric shocks through their music as long as they've been around. The roughness of this song's production brings a completely unique kind of intensity, too, something so different from their recent releases but in the same spirit--Repion knows how to make rock anthems that come straight for my heart.
Drug Free America -- Bleachers
A joke song with surprising longevity. Like, I appreciated the absurdity of this one right from the start, but I didn't expect to actually enjoy it as music. Here we are, though! The snappy comedy of the lyrics balances out the sonic soup of the vocal effects, and "Drug Free America" is full of fun lines that stay fun on repeat listens. Look, I've been obsessed with Bleachers for forever, now--I'm willing to indulge pretty much anything they put out, so this gets five stars and there's nothing you can do about it.
Mine -- Aespa
I think I tend to like Aespa most when they're ice-cold ("Illusion" is my favorite aespa song for a reason), and this song is right up my alley. I defer to @pocima's write-up on this one though, because she does "Mine" more justice than I could! [link]
Popper! -- Akriila, Taichu
S.O.S -- Taichu, Lali
Starburned and Unkissed -- Caroline Polachek
The I Saw the TV Glow soundtrack strikes again! After falling in love with yeule's "Anthems For A Seventeen Year-Old Girl" last month, I listened through the whole soundtrack album and zeroed in on this fascinating song. It's a hazy, ghostly scream, it's a ballad left out in the cold too long, iced over and sleeping in the snow and dreaming desperately of a home it may never see again. I don't know, it just hits. Both yeule & Caroline Polachek's contributions to this soundtrack are beautifully warped--I love how these songs find so much soul and emotion and life energy in decidedly unnatural sonic worlds.
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demento-mori · 2 months ago
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I fully cannot be trusted with the 5 star review system. because unless there was something actively, glaringly wrong with a movie, i will rate it 5 stars every time.
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mcltiples · 5 months ago
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LITTLE THINGS ABOUT THE MUN
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i'm over 5'5 / i wear glasses or contacts / i have blonde hair / i often wear sweatshirts / i prefer loose clothing over tight clothes / i have one or more piercings / i have at least one or more tattoos / i have blue eyes / i have dyed or highlighted my hair / i have or have had braces / i have freckles / i paint my nails / i typically wear makeup / i don’t often smile / resting bitch face / i play sports / i play an instrument / i know more than one language { intermediate in Spanish } / i can cook or bake / i like writing / i like to read / i can multitask / i’ve never dated anyone / i have a best friend i’ve known for over five years / i am an only child
TAGGED BY: @countlessrealities TAGGING: @helluvahotelx, @radiodemon77, @angelichooves + anyone else who wants to do this !!
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katniss-evermeme · 7 months ago
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My mom: *routinely watches R rated thriller movies with generous amounts of gore and excessive usage of the f-bomb when my little brother is around*
Also my mom: *freaked out when we got to the bomb dog episode of Spy X Family, relentlessly asked why I'd watch something so brutal around my brother*
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eyrieofsynapses · 1 year ago
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so many fic authors talk about how the Force screams, sings, rings, etc., but I hardly ever hear hide nor hair of how it feels when it does that, so… have a snippet I wrote to explore that. no context, just this:
when the Force screamed it was a shudder, heart-deep, as though horror had picked you up by the scruff of your neck and shook, the way disgust rattled your bones and filled your throat with bile. it was an electrocution, it was being pinned down with frozen limbs while someone pressed a burning brand to your skin, it was the universe itself rocking with unspeakable pain.
and when it sang—oh how it sang, and that was perhaps the best way of putting it, the indescribable high of music that resonated with your soul and stood the hairs on your arms up on end. it was standing in a cathedral when the choir's power met the orchestra, met the air's waves, met your eardrums, met your mind, met your heart. it was the carnal pleasure of climax, the blossom of perfectly brewed tea or a favorite dessert on the tongue, the fuzzy softness of a faultlessly woven blanket, the shock of awe at a shooting star. it was the pluck of a string in the depths of your body that you barely knew was even there, a flawless harpist strumming at your chords.
and when it whispered, it wasn't a whisper so much as it was an image at the edges of your vision, something you had forgotten that now floated a finger's breadth from your grasping hand. it was the strains of a conversation in the room next door that just crept in through the crack in the door. it was the knowledge of skin millimeters from yours, barely not touching, yet so close it was impossible not to know it was there. it was the hair rising on the back of your neck. it was glimpsing the blurred words on a sign that was too far away to be read properly, yet knowing what they said anyway, your mind unconsciously detangling shapes into words and phrases.
and when it shouted, it was not a yell in your ears but in your ribcage, rattling your lungs and organs, the rumbling pound of your heart thudding too loud, a flush of adrenaline that raced through your veins and snared your breath and shook your hands and shivered your skin and shocked you to the bone, left your knees as jelly and your eyes rolling wild as a colt first mounted.
a Force-shout wasn't an order, it was an unearthly demand that you listen—not a promise that if you didn't hear you'd be destroyed, but the utter and complete certainty that you would know what it wanted you to comprehend.
and when it wept…
the Force's sorrow was a grief that was not a flood, not an ocean, but floating in the center of a moon with a core of molten water. it was all-consuming—nothing else was thinkable—it was the drowning nothingness of depression turned up a thousandfold. it did not draw tears from your eyes but instead stole every drop of breath out of your lungs and drug you to the ground in a millisecond.
there was no room for a single spark of a sentient being to cry mere saltwater tears; it was the suffocation of the soul, racking chills that shocked you from star-hot to atom-still-cold in the space of a nanosecond. it was the bending of your ribs into your heart, bones shattering like glass stretching over the course of a hundred years. it came of the universe that knew its heat-death would come some day and did not shake in that knowledge, yet despaired not only sentient lives but the eventual cooling of the very last star.
so…
what was it to feel each of the Force's delighted sentient nerves, each sensitive that acted as a way to taste and touch and know itself, torn out of its body in an eyeblink?
what scars does it leave upon one's soul—whether you be minutes or centuries old, whether you have felt the deepest grief or only know the pain of exposure to the world beyond the womb—when you are one of those nerves, and know in intimate, gross detail how the universe felt when your thousands of fellows were ripped asunder from the fabric of its present? when your mouth is filled with the rotting copper blood of the death of something infinite?
and what does it do to a person, when you are woven so that when the strings of the universe are plucked, it is not only your mind that is aware of it, but every centimeter of your skin, ever drop of blood in your body, every neuron, every tiny mitochondria, every bit of bacteria that keeps the ember of your being burning, every atom of yourself shivers in sympathy with each swaying step of the vastness of everything that has ever existed?
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smartichokes · 9 months ago
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THEY USED THE LIVING TOMBSTONE SONG FOR THE CREDITS HOLY SHIT!!!!!!!!!!!!!!!!!! AUTOMATIC 5 STARS
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shesmyscar · 2 years ago
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has anyone disected what the different frame sizes mean/correlate to in everything everywhere all at once yet because i have been trying to figure out what they all mean ever since i noticed it on my fifth rewatch. and every time i watch it now it’s all i can think about because it’s done so intentionally and clearly has a purpose to aid with the storytelling. if there’s an interview out there about this though PLEASE send it my way because oh my god i’m SO fascinated with this
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electric-plants · 1 year ago
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just got dehya on my second account and i am absolutely seething with jealousy towards myself
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theshadowrealmitself · 2 years ago
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A: So anyways with the captain and backup captains out of commission, we all took a vote and voted for B to be our next captain
B: I begged them not to! :)
B: But they didn’t listen to me
C: The only order we didn’t follow, but for any after that, we’re your loyal crew
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allpromarlo · 2 hours ago
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gave in and started playing lds and dawg the sylus story has me KEELING. shopkeeper looked this man dead in his face and said “she don’t want you bro”
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reginrokkr · 4 days ago
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I may... be having a late night brainrot over this fanart still and wondering if Vedrfolnir didn't necessarily want to antagonize Dain, that he's been doing these things with the mindset that he could do something to make better the whole situation™ with Teyvat and, because he knows Dain, that he would be able to stop him eventually. Something like Jecht and Tidus from FFX which is... something I can definitely see. Because even from the hatred he seems to have for his older brother + the other 4 sinners, even if he's being an Abyss Order terrorist, even within that hatred he continues having some manner of kindness. If anything, because he could easily take it on Lumine until he makes Vedrfolnir come out to enact his vengeance, as it's confirmed that he can defeat her. But he doesn't, and I believe that speaks many volumes about him.
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fake-static-airspace · 2 months ago
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catagory five "thought about my ocs" moment. im gonna need like three to five business days to recover good fucking go d
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nico-di-angelfish · 3 months ago
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i just finished reading the world according to garp and oh my god. what a book! so now i immediately have to read everything else john irving has ever written
#like genuinely that was one of the best most beautiful books i’ve ever read#i originally only bought it because i’d been looking for his book a prayer for owen meany#(which i wanted to read because the jimmy eat world song goodbye sky harbor is based on it)#and couldn’t find it ANYWHERE. but then i saw this and of course i’d heard of it before#so i decided to try it while i look for a copy of the other one. and actually i had to wait a little to read it#because i was already reading like four other books. but i read that first section and i was immediately hooked#and so i tortured myself waiting to read it for like two weeks#anyway i think it’s possibly changed my life. certainly my ideas about writing#and i did manage to find a copy of that other book i wanted in the meantime so yay!#as soon as i’ve recovered from garp (which honestly may take a while—i sobbed through the last like 200 pages) i’m going to start it!#it’s these kinds of books that always have such an impact on me i think: weird families full of eccentric people who love each other so much#books that are really bursting with life and with love like my family and other animals by gerald durrell#also books that make me cry that’s an easy one#but hooooly shit i didnt realise this book was SAD? i thought it was a comedy!#i was wholly unprepared to read THAT chapter on the train out of nowhere!#i already loved it before that happened and wouldve given it five stars but the rest of the book just made it an instant favourite
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